Dans la collection de Marvelman
Description
Amazing DPS from King Shazam #1, capturing Shazam's beatdown on Atlas in a series of epic, brutal panels.
Amazing to see how Joe Bennett's style has developed and matured over the years - he's currently producing some of the best work in comics, both here and over at Marvel with the immortal Hulk. Every single one of these panels could be a powerful and dynamic splash page!
Belardino Brabo provides crisp, clear and very worthy inks to this fabulous art - the anatomy is so solid and weighty these figures could be carved out of stone!
Blueline pencils with original inks by Brabo. Every line crackling with pure power.
Amazing to see how Joe Bennett's style has developed and matured over the years - he's currently producing some of the best work in comics, both here and over at Marvel with the immortal Hulk. Every single one of these panels could be a powerful and dynamic splash page!
Belardino Brabo provides crisp, clear and very worthy inks to this fabulous art - the anatomy is so solid and weighty these figures could be carved out of stone!
Blueline pencils with original inks by Brabo. Every line crackling with pure power.
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A propos de Joe Bennett
Joe Bennett est un artiste brésilien travaillant comme dessinateur et encreur pour l'industrie américaine du comics book.
Dans les années 90 il publiait des comics d'horreur pour deux grandes compagnies brésiliennes Calafrio et Mestres do Terror.
En 1994 il travaille beaucoup pour Marvel comics sur les séries "The Amazing Spider-Man", "Captain America" (vol. 2), ""Fantastic Four" (vol. 3), "The Incredible Hulk" (vol. 2), "Thor" et plus tard "Captain America and the Falcon".
Il a aussi travaillé pour les éditeurs Chaos! Comics, CrossGen, Dark Horse, DC Comics et Vertigo.
En 2005 il signe un contrat de trois ans avec DC comics et travaille avec d'autres artistes sur la série 52.
