Dans la collection de Marvelman
Description
A massively depowered and p*ssed-off Hulk literally rips the spine and skull from the devil-possessed Crusher Creel and uses them as a makeshift Wrecking Ball to smash him to pieces!
Superb splash-style battle page from the EPIC Immortal Hulk storyline - destined to be up there with the all-time classics. If you haven't read this great run, treat yourself and get stuck in. This has all the bells and whistles, with some classy callbacks to the best Hulk stories ever. It also mixes in some strong horror elements, with more than a dash of Jekyll & Hyde, E.C. Comics and a real Wrightsonesque feel to the fantastic linework.
Superb splash-style battle page from the EPIC Immortal Hulk storyline - destined to be up there with the all-time classics. If you haven't read this great run, treat yourself and get stuck in. This has all the bells and whistles, with some classy callbacks to the best Hulk stories ever. It also mixes in some strong horror elements, with more than a dash of Jekyll & Hyde, E.C. Comics and a real Wrightsonesque feel to the fantastic linework.
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A propos de Joe Bennett
Joe Bennett est un artiste brésilien travaillant comme dessinateur et encreur pour l'industrie américaine du comics book.
Dans les années 90 il publiait des comics d'horreur pour deux grandes compagnies brésiliennes Calafrio et Mestres do Terror.
En 1994 il travaille beaucoup pour Marvel comics sur les séries "The Amazing Spider-Man", "Captain America" (vol. 2), ""Fantastic Four" (vol. 3), "The Incredible Hulk" (vol. 2), "Thor" et plus tard "Captain America and the Falcon".
Il a aussi travaillé pour les éditeurs Chaos! Comics, CrossGen, Dark Horse, DC Comics et Vertigo.
En 2005 il signe un contrat de trois ans avec DC comics et travaille avec d'autres artistes sur la série 52.
