In apadno 's collection
657 

"The Cornshack"

Original Illustration
circa 2005
Pencil
27 x 20 cm (10.63 x 7.87 in.)
Share

Description

Crayonné sur carton épais.

Inscriptions

Titré et signé

Comment

Illustration pour un projet abandonné ou en devenir... comme souvent chez Al Columbia.
Le thème du groupe de convives, réunis en cercle, martyrisant ou tuant un animal ou un être humain a été plusieurs fois utilisé par Al Columbia (notamment dans son projet Belladonna).
L'impact du dessin tient aux décalages et contradictions permanentes qui habitent les oeuvres de l'artiste. Ici le style à la fois réaliste et cartoonesque. La précision de certains traits et le flou rendu par l'intense usage du crayon sur le papier, jusqu'à l'usure du support. La joie apparente des tortionnaires face à un acte méprisable. Le doute sur la nature de la victime : être semblant sans défense mais inquiétant car ne ressemblant à aucun animal connu.
Faut-il rire ou être effrayé(e) ?
Toujours dans le rêve et l'imaginaire et toujours à la frontière du cauchemar.

Thematics


3 comments
To leave a comment on that piece, please log in

About Al Columbia

Al Columbia is an American cartoonist, illustrator, writer, photographer, musician, and filmmaker. He started his career in comics at the age of nineteen, when he was hired to assist Bill Sienkiewicz. Together, they created 'Big Numbers'. In 1992, however, the pressure of continuing this real-world, realistically painted comics series became too much for him. Al Columbia vanished, destroying the fourth issue of 'Big Numbers' he was working on, and nothing was heard from him until 1994. He then made 'The Biologic Show', published by Fantagraphics, in which he broke away from the realistic, Sienkiewicz-inspired style, developing a more grotesque, caricatural style of his own. From 1995 on, Al Columbia experimented, contributing stories such as 'Pim and Francie' to the anthologies 'Zero Zero' and 'Blab!', introducing the character of frightened little Seymour Sunshine. In 2003 he wrote two issues of 'The Pogostick', an unfinished comic book series illustrated by Ethan Persoff that was nominated for a Harvey Award. His work has also appeared in The New York Times, the Seattle newspaper The Stranger and in magazines such as The Believer and Arthur. 'Pim & Francie: The Golden Bear Days', a book of Columbia's previously unpublished work, was released in 2009, and subsequently nominated for two Ignatz Awards.