Les Cartes Postales du Mont-Vérité, Le Rhinocéros Nanosteppu by Jean-Christophe Menu - Illustration
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Les Cartes Postales du Mont-Vérité, Le Rhinocéros Nanosteppu

Illustration
2018
Gouache
16.5 x 12.5 cm (6.5 x 4.92 in.)
Dos de l'oeuvre
Le coffret
Intérieur du coffret

Description

L'une des gouaches qui constituent le coffret "24 Photographies du Mont-Vérité", des cartes postales imprimées artisanalement à 650 exemplaires et diffusées par l'auteur.

Inscriptions

Signé et daté au dos "JC Menu Juillet 2018"

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About Jean-Christophe Menu

Self-taught artist Jean-Christophe Menu is considered one of the key figures in the independent comic mouvement. He started his careers as a comic artist and as a publisher at the same time, when he launched fanzines like Le Lynx à Tifs and Le Journal de Lapot in 1981. In 1984 he started working for Psikopat, where he introduced the character Meder. Soon, his work can be found in magazines such as Tintin Reporter, Spirou, Fripounet, Jade, Rip-Off and Weirdo. For Futuropolis publishers he created books such as 'Le Portrait de Lurie Ginol' and 'Labo', a collective experiment. In 1990, together with six other comic authors, Menu launched L'Association publishers. Under this label, he created books like 'Moins d'un Quart de Seconde pour Vivre' (with Lewis Trondheim, 1991), 'Dinozor Apokalips' (1991), 'Omelette' (1995), 'Grognottes' (1998) and 'Le Livre du Mont-Vérité' (2002). He also started 'Livret de Phamille', an autobiographical comic, that appeared in L'Association's magazine Lapin. In 2001, Menu began his own label, J. C. Menu, and in the following year, he made 'Vert Thépamur' for Automne 67. A second episode, called 'Les Nouvelles Aventures de Vert Thépamur' was published in Lapin. Menu is furthermore the illustrator of the second album in the series 'Donjon Monstres' by Lewis Trondheim and Joann Sfar at Delcourt. Text (c) Lambiek