Le Milan sacré - Dessin préliminaire de Enki Bilal pour Julia et Roem by Enki Bilal - Original art
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Le Milan sacré - Dessin préliminaire de Enki Bilal pour Julia et Roem

Original art
Pencil
Mine de plomb sur papier
8.1 x 10.1 cm (3.19 x 3.98 in.)
Case publiée (1)
Case publiée (2)
Case publiée (3)

Description

Dessin original préliminaire pour une case de Julia et Roem. Projet non retenu en l'état (voir images additionnelles)
Reproduit dans Graphite In Progress Ed. Barbier & Mathon, 2016

Inscriptions

Signé

Comment

Dans le travail de Bilal, le dessin préliminaire de chaque case est un élément essentiel dans le processus de création de la page. En voici, je pense, une nouvelle superbe démonstration.
A noter que l'aile blessée est équipée du module autonome (voir Julia et Roem)

About Enki Bilal

Enki Bilal, the son of a Czech mother and a Bosnian father, spent the first nine years of his life in Belgrade, where the ghost of World War II still haunted everyday life. The Bilal family moved to Paris in 1961, where Enki Bilal was drawn to comics and cinema. He started at Pilote in 1972, making illustrations, covers and short stories. Three years later, Bilal met writer Pierre Christin, with whom he created several comics by combining comic strips with photos, including 'Légendes d'Aujourd'hui', 'La Croisière des Oubliés' and 'Partie de Chasse'. In 1980 he began his award-winning 'Nikopol-trilogy', including the books 'La Foire aux Immortels', 'La Femme Piège' and 'Froid Équateur'. Besides these comics activities, Enki Bilal started working in film, theater and opera. He created sets, costumes and posters for a theater play and worked on two feature films. Apart from these and other occupations, like photo retouching and glass painting, Bilal published 'Le Sommeil du Monstre', the first installment in his Hatzfeld tetralogy, in 1998. He published the last volume of this series about the the breakup of Yugoslavia from a future viewpoint, in 2007. Text (c) Lambiek

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