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L' il Abner by Al Capp - Comic Strip
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L' il Abner

Comic Strip
1951
Ink
Sur crayonnés
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Le bonheur est dans le pré
Moonbeam Mc Swine ghostée par FRAZETTA
Avec PLAISIR...

Description

Grande planche du dimanche (Sunday page) constituée de de 4 bandes de carton fort

Inscriptions

Rapides commentaires sur le coté gauche au crayon

Comment

Dans cette série L'il ABNER de Al Capp la majorité des personnages sont caricaturaux… mais certaines héroïnes sont parmi les plus belles filles de la Bande Dessinée.
Ici l'exemple est frappant : Moonbeam Mc Swine est un exemple de l'avance de AL CAPP sur son époque; personnage féminin atypique indépendante parfois indolente parfois hystérique mais toujours "salement" sexy, elle représente tout ce que la femme Américaine des années 50 n'est pas … pas encore.
Vivant avec bonheur parmi ses cochons sans besoin de se pomponner ni d'attirance pour l'Argent (comme tous les habitants de DOGPACH) elle mène souvent ses visiteurs de la ville par le bout du nez.
L'Archétype de la beauté grunge des années 2000 dans ce SUNDAY strip du 16.12.1951 non encore ghosté par Frank FRAZETTA.

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About Al Capp

Al Capp was one of the most praised satirists of the 1940s and 1950s. His long-running comic strip 'Li'l Abner' (1934-1977) was a phenomenon during its heyday, published in over 900 American newspapers and 28 countries. It inspired radio series, puppet shows, films, animated cartoons, jazz songs and a theater musical; it penetrated American pop culture in degrees unimaginable today. Together with George Herriman's 'Krazy Kat', Walt Kelly's 'Pogo' and Charles M. Schulz' 'Peanuts' it was one of the first American comics to receive critical praise and popularity among intellectuals. The series is renowned for its highly dynamic artwork and sophisticated writing. Capp crafted funny and imaginative storylines, filled with colourful characters and sometimes biting social satire. Even though 'Li'l' Abner' is set in a fantasy world with absurd slapstick, odd creatures and fictional countries he frequently gave real-life celebrities cameos and winked at current political and cultural events. The artist even satirized the comic strip medium itself! Compared with other comic artists at the time, Capp was also a notable public figure and one of the most recognizable cartoonists in the USA. However his reputation was considerably damaged in the 1960s and 1970s due to his increasingly more prevalent conservative opinions about the hippie generation. Text (c) Lambiek