Dans la collection de SwimmersGirl
Description
Shadow of Your Love Vampirella ** Enric Torres-Prat. Commission was completed May 2023.
Oil on canvas. Image area 27" x 40"
Oil on canvas. Image area 27" x 40"
Inscriptions / Signatures
Signed bottom Right
Commentaire
Enric's rep Christi is absolutely wonderful to work with and my Vampirella is what I wanted... EXACTLY! No actually better than I expected. Is there a more beautiful face?
The Story: I wanted Enric's effort, time and ultimately my cost to be focused on her retro 70's glam beautiful face, not a background. Not this time. I wanted her face to photo-sharp and realistic and I wanted her to big lifelike and OWN the room. She is huge, especially since not a full body. She will dominate my space. She deserves it. I gave a few examples of my favorite previously painted faces to push him to my task. I was tough. I even rejected his first painted prelim. SAY WHAT? I am still somewhat new to commissions and Enric is a hero to me. So, how do I tell the Vampirella master his prelim is not what I wanted or right for me? I was scared, but I did. The second prelim attempt knocked me out. "MISSION IS A GO!" I said. I wanted her to be his "Mona Lisa." I literally said that. "Paint me your "Mona Lisa." Make her timeless, with color and light close to a Rembrandt painting. I think he liked that part considering he LOVES Rembrandt. I referenced "The Denial of Peter" a 1660 painting by Rembrandt, now in the Rijksmuseum in Amsterdam. And while Vampirella certainly is a different subject matter, I wanted her to have that old master feel with lighting. I am a sucker for great use of light. I love her beautiful oil tones and her collar is NOT a stark white as you expect to see. In fact, it is probably more umber. Besides Vampi's 70's eye make-up, we don't really know what century she is in.
I LOVE HER.
The Story: I wanted Enric's effort, time and ultimately my cost to be focused on her retro 70's glam beautiful face, not a background. Not this time. I wanted her face to photo-sharp and realistic and I wanted her to big lifelike and OWN the room. She is huge, especially since not a full body. She will dominate my space. She deserves it. I gave a few examples of my favorite previously painted faces to push him to my task. I was tough. I even rejected his first painted prelim. SAY WHAT? I am still somewhat new to commissions and Enric is a hero to me. So, how do I tell the Vampirella master his prelim is not what I wanted or right for me? I was scared, but I did. The second prelim attempt knocked me out. "MISSION IS A GO!" I said. I wanted her to be his "Mona Lisa." I literally said that. "Paint me your "Mona Lisa." Make her timeless, with color and light close to a Rembrandt painting. I think he liked that part considering he LOVES Rembrandt. I referenced "The Denial of Peter" a 1660 painting by Rembrandt, now in the Rijksmuseum in Amsterdam. And while Vampirella certainly is a different subject matter, I wanted her to have that old master feel with lighting. I am a sucker for great use of light. I love her beautiful oil tones and her collar is NOT a stark white as you expect to see. In fact, it is probably more umber. Besides Vampi's 70's eye make-up, we don't really know what century she is in.
I LOVE HER.
Pour laisser un commentaire sur cette œuvre, veuillez vous connecter
A propos de Enric Torres-Prat
Enric Torres-Prat , également connu sous le nom d' Enrique Torres ou d' Enrich est un peintre et illustrateur figuratif espagnol. Il est principalement connu pour ses couvertures pour les bandes dessinées d'horreur et de science-fiction, et en particulier Vampirella, dans les années 1970 et 1980.