In Kiki06 's collection
Putzu, illustration, la mort au bout du fil, 60’s.
Pencil
Gouache blanche
35 x 50 cm (13.78 x 19.69 in.)
Added on 2/1/23
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Description
Illustration grand format mettant en scène une pin-up au téléphone. Je l'ai intitulée la mort au bout du fil.
Inscriptions
Signée
Comment
Publié dans un magazine du crime/cinéma, de nombreuses références au verso, mais je n'ai pas trouvé la publication...
Noté Riviera 42, p66... Si quelqu'un a des infos, on ne sait jamais.
Arnoldo Putzu a été un grand affichiste de cinéma Italien, travaillant pour les grosses productions Américaines, Italiennes, Françaises et Anglaises. Il a réalisé aussi de nombreuses couvertures de revues cinématographiques comme Look-In.
A votre avis, quelle actrice est représentée avec tant d'effroi ?
Noté Riviera 42, p66... Si quelqu'un a des infos, on ne sait jamais.
Arnoldo Putzu a été un grand affichiste de cinéma Italien, travaillant pour les grosses productions Américaines, Italiennes, Françaises et Anglaises. Il a réalisé aussi de nombreuses couvertures de revues cinématographiques comme Look-In.
A votre avis, quelle actrice est représentée avec tant d'effroi ?
Thematics
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About Arnaldo Putzu
Born in Rome, the son of an Italian navy officer, he studied art at the Rome Academy. While doing illustration work in Milan, he met the poster artist Enrico de Seta in 1948. De Seta took him to Rome to work in the Italian film industry.
After four years with De Seta, Putzu set up his own studio. He worked for several artists including Augusto Favalli, who then controlled many artists employed by the Cinecittà film studios.
An executive of the Rank Organisation based in Rome was impressed by the poster artwork coming out of Studio Favalli and spotted an opportunity for Rank to have high quality posters for the low wages paid to Italian artists in the postwar era. In collaboration with Eric Pulford, then creative head of Rank's Downton Advertising (who also handled United Artists),[1] Rank began employing Italian artists to work on their film publicity. At first Pulford brought the artwork to the artists in Rome by personally flying between the two cities, but by the late 1950s the artists themselves, such as Renato Fratini, best known for designing the British poster for From Russia with Love were being brought over to live and work in Great Britain.
Putzu began to work for Pulford in the late 1950s. His first British poster was for The Secret Place (1957).
He worked on posters in a variety of film genres, such as the Carry On series