Artwork for sale by Krazy Art Gallery
Mafioso #35 [en voiture!] (ed. orig. italiienne "Mafia #2, 2 série - Il racket delle auto] couverture
Gouache
Tempera
26 x 36.5 cm (10.24 x 14.37 in.)
Price : 2,200 €
[$]
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Description
Couverture de Mafia, n. 2 de la deuxième série (12/1984) tempera
Comment
Una fantastique œuvre del Maître Taglietti!
2200€ + frais de port
- - -
Frais de port pour l'Italie 15 EUR
Frais de port pour L'Europe par voie terrestre 25/30 EUR
Frais de port pour l'Europe par avion 30/40 EUR
Frais de port pour le reste du monde 60/100 EUR
(tarifs pour les envois NON assurés, les envois peuvent être assurés - les envois partent du lundi au mercredi)
- - -
Pour plus d'informations et demandes contactez-nous sans hésiter à
info@krazyartgallery.com
2200€ + frais de port
- - -
Frais de port pour l'Italie 15 EUR
Frais de port pour L'Europe par voie terrestre 25/30 EUR
Frais de port pour l'Europe par avion 30/40 EUR
Frais de port pour le reste du monde 60/100 EUR
(tarifs pour les envois NON assurés, les envois peuvent être assurés - les envois partent du lundi au mercredi)
- - -
Pour plus d'informations et demandes contactez-nous sans hésiter à
info@krazyartgallery.com
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About Emanuele Taglietti
Emanuele Taglietti was born in 1943 in Ferrara, of the region of Emilia-Romagna, Italy. His father, Otello, was a painter and a decorator. In the 1960s, Otello Taglietti worked as a set designer on movies made by his cousin, acclaimed director Michelangelo Antonioni, often taking Emanuele with him on the set.
After attending a local art school, Emanuele Taglietti studied design at the Experimental Centre of Cinematography, in Rome. He worked as a decorator and an assistant director for around thirty movies, including Federico Fellini's Juliet of the Spirits, Dino Risi's Dirty Weekend, and others.
By the early 1970s, the popularity in Italy of the digest-sized fumetti comics, whose themes were mostly sex, violence, and horror, was at its peak.[2] Taglietti moved on to work as an illustrator for Edifumetto, the biggest publisher of fumetti in Italy.
At the time, Taglietti would often paint more than ten covers every month for Renzo Barbieri's publishing house. By the end of the 1980s, the comics' popularity started to weaken, and Taglietti left Edifumetto to work as an oil painter, as well as an evening-class teacher in decoration and the conservation of murals. In 2000, he retired from teaching, continuing to work as murals and watercolor painter.