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Leo Loden p1&2 by Serge Carrère, Christophe Arleston - Comic Strip
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Leo Loden p1&2

Comic Strip
1990
Ink
Added on 6/20/26
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Planche 2
Page 1

Description

Toutes premières planches de la série

Léo Loden
Terminus Canebière
Planche 1 et 2

En album
- Tome 1, édition Soleil Productions, janvier 1992
- 6 rééditions
- Intégrale Léo Loden, Soleil Productions, novembre 1998
- intégrale T1, Soleil Productions, septembre 2012

Inscriptions

Signée par les deux auteurs et datée 1990

Comment

Serge Carrère a indiqué que ce sont les deux premières planches de la série. Ce travail lui a permis de signer avec Soleil Productions. Il les a ensuite refaites un an plus tard

Une sympathique série policiere de 30 albums qui suit un ancien policier marseillais devenu privé. Il navigue dans les ruelles de Marseille, entouré d’un tonton loufoque, d’une petite amie flic et d’une galerie de personnages haut en couleur.

Publications

  • Terminus Canebière
  • Soleil Productions
  • 01/1992
  • Interior page
  • Léo Loden
  • Soleil Productions
  • 11/1998
  • Interior page
  • Intégrale 1
  • Soleil Productions
  • 09/2012
  • Interior page

Thematics


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About Serge Carrère

Serge Carrère studied plastic arts in Aix-en-Provence, before he started out working in the advertising field. He turned to making comics in 1980, starting with some stories for Tintin and several fanzines. From 1983, he stated producing work for the magazine Mikado and the publishing house Milan. This included the series 'Coline Maillard' with Patrick Cothias, as well as the more realistic 'Rémi Forget' with Alain Oriol. In addition, he made 'Smok le Clown' with Gérard Moncomle in Fripounet (1986-88) and some short stories scripted by René Durand for Circus. He also continued the series 'Les Tristus et les Rigolus' in Pif for two episodes, and appeared in Spirou with 'S.O.S. Veto'. In 1992, Carrère teamed up with scenarist Scotch Arleston and created his most famous series, 'Léo Loden', for Soleil Productions. The series runs until today, and from 2006, the duo have assistance from Loïc Nicoloff for the scripts. Text (c) Lambiek