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L'OUTREMANGEUR by Jacques Ferrandez - Comic Strip
297 

L'OUTREMANGEUR

Comic Strip
1998
Mixed Media
Blanc de finition
32.3 x 43.9 cm (12.72 x 17.28 in.)
Dessin : 28 x 37,9
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Couleur par J. FERRANDEZ

Description

planche originale n°41 sur papier 220g
la case, sur papier blanc, en haut à doite a été scotchée
les deux cases du bas ont été refaites et collées

Inscriptions

signature : J.FERRANDEZ

Comment

J'ai mis en image la planche en couleur finale.
Les cases sont collées sur feuille
on remarquera que les deux cases du haut ont été interverties.
Je ne sais pas comment travaille l'Artiste mais je pense qu'il a fait une copie de la planche en noir et blanc et qu'il a peint ensuite les cases une par une.

Publication

  • L'outremangeur
  • Casterman
  • 10/1998
  • Interior page

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About Jacques Ferrandez

Jacques Ferrandez was born in Alger, Algeria, but he and his family settled in Nice, France, when he was only a couple of months old. After a six year education at the National School of Decorative Arts, he embarked on a career in comics, starting with the story 'L'Homme au Bigos' in 1977. This comic, written by Rodolphe and prepublished in Télérama, introduced the character of 'Commissaire Raffini', whose further adventures appeared in four albums at Les Humanoïdes Associés between 1980 and 1988. Ferrandez and Rodolphe additionally cooperated on a series of short stories for À Suivre, as well as 'Anne et Charles' in Circus (1982-85), and some works for Métal Hurlant and Pilote. Stories by Ferrandez and Rodolphe were collected in books like 'Outsiders' (Les Humanoïdes Associés (1985) and 'Le Vicomte' (Dargaud, 1986). Also for À Suivre, Ferrandez wrote and drew 'Arrière-Pays', a series of short and more intimate stories. After a change of style in 1986, he began realizing his old dream: to tell a moving epic about his homeland, Algeria, and its fight for independence. Over the years, he produced a series of seven books, which depicted Algeria's modern history with sophistication in tasteful watercolors. This collection, called 'Carnets d'Orient', was prepublished in magazines like Corto and À Suivre. Text (c) Lambiek

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