Artwork for sale by fritzthecat
Harvey KURTZMAN - Vault of Horror (EC Comics) 1949
Ink
37.4 x 56 cm (14.72 x 22.05 in.)
Price : 5,300 €
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Description
Ec Comics - Vault of Horror #13 (July 1950) “Island of Death”, p. 3
Comment
Planche dessinée en 1949 par Harvey Kurtzman pour <i>Vault of Horror</i> #13, qui était en fait le deuxième numéro de cette nouvelle série d'EC Comics et fut publié au printemps 1950.
L'histoire "Island of Death" est un plagiat du film Les chasses du Comte Zaroff mais c'est un des quelques exemples d'incursions de Kurtzman à une époque où il se tournait de plus en plus vers le scénario, deux ans avant le lancement de MAD.
Les planches dessinées par Kurtzman à cette époque sont peu nombreuses et donc rarissimes.
L'histoire "Island of Death" est un plagiat du film Les chasses du Comte Zaroff mais c'est un des quelques exemples d'incursions de Kurtzman à une époque où il se tournait de plus en plus vers le scénario, deux ans avant le lancement de MAD.
Les planches dessinées par Kurtzman à cette époque sont peu nombreuses et donc rarissimes.
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About Harvey Kurtzman
Harvey Kurtzman ( October 3, 1924 – February 21, 1993) was an American cartoonist and editor. His best-known work includes writing and editing the parodic comic book Mad from 1952 until 1956, and writing the Little Annie Fanny strips in Playboy from 1962 until 1988. His work is noted for its satire and parody of popular culture, social critique, and attention to detail. Kurtzman's working method has been likened to that of an auteur, and he expected those who illustrated his stories to follow his layouts strictly.
Kurtzman began to work on the New Trend line of comic books at EC Comics' in 1950. He wrote and edited the Two-Fisted Tales and Frontline Combat war comic books, where he also drew many of the carefully researched stories, before he created his most-remembered comic book, Mad, in 1952. Kurtzman scripted the stories and had them drawn by top EC cartoonists, most frequently Will Elder, Wally Wood, and Jack Davis; the early Mad was noted for its social critique and parodies of pop culture. The comic book switched to a magazine format in 1955, and Kurtzman left it in 1956 over a dispute with EC's owner William Gaines over financial control.