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Francq, Largo Winch - Comic Strip
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Francq, Largo Winch

Comic Strip
2006
Ink
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diptyque
Le vrai Faucon maltais !

Description

Francq Philippe , planches 31 de l'album Les trois yeux des gardiens du Tao.
case-case: 35x47.5cm
Entièrement à l'encre de chine
achat 2008 expo Francq galerie Thierry Goossens

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Comment

Précision, détail ,finesse, minutie. A l'inverse d'une grande majorité, le coté dessin industriel pointu et froid me fascine chez Francq. Ses planches sont un véritable témoignage du monde contemporain qui nous entoure: Lieux diverses dans le monde, objets, véhicules, marques de produits.
Ayant été dans la majorité des villes dessinées je me situe très bien dans ses planches.

Publication

  • Les trois yeux des gardiens du Tao
  • Dupuis
  • 03/2007
  • Page 33

See also:   Largo Winch

Thematics


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About Philippe Francq

Philippe Francq, born in Etterbeek, Belgium, is a Belgian comic book artist best known for the Largo Winch series. Philippe Francq studied at the Institut Saint-Luc in Brussels from 1978. He graduated in 1984, after having taken comics courses from Claude Renard for three years. He was an artist for the Belgian Olympic Comity for while, where he designed the mascot. He then worked as a background artist for Bob de Moor at the Hergé Studios. He teamed up with Bob de Groot in 1987, and created a series of short stories, that were collected two books, 'Des Villes et des Femmes' (Dargaud). In addition, he illustrated two stories with 'Léo Tomasini' with text by Francis Delvaux in 1988-89. It was in 1988, when Francq met writer Jean Van Hamme. Van Hamme proposed him to do a comics series, based on a series of novels he had written. The first book of the 'Largo Winch' series appeared in 1990 at the publishing house Dupuis. This thriller about a young vagabond at the top of a multinational corporation, was a big hit right from the start. Upon the success of the comic series, the original novels were reprinted and a television adaptation with real-life actors was created, as well as a feature film in 2008. Text (c) Lambiek