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Essex County Volume 1: Tales From the Farm p50
Ink
38 x 56 cm (14.96 x 22.05 in.)
Added on 1/25/19
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Date-stamped 18 Nov 2005
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Jeff Lemire on his substack:
"I am often asked how autobiographical Essex County is. And really it is mostly fiction. Lester is definitely a surrogate for me, a kid lost in his comics and his imagination, longing for something else. But his circumstances in the story are total fiction. I wasn’t an orphan, I wasn’t an only child and I had two loving parents and never befriended a hulking ex-hockey star. But what was real was the drawings of locations from around Essex County and the farm I grew up on. And I would steal little personality traits from people I knew growing up and combine them into different characters. Like all fiction you work the truth in there, but not always in a one for one sort of way. It all gets mixed up and Filtered through the story in different ways."
"And with the First book, Tales From The Farm, I also embraced the weird “back of the pen” style I had been experimenting with at Sheridan. This basically means I was using the backs of steel-point dip pens to draw rather than the intended pen tip. This led to really odd lines that weren’t always predictable and added a really strange, angular quality to the drawings that I just loved. I also started drawing this book really big. The norm is to draw comic pages about 1 ½ times the size of printed comic. And that’s pretty much how I draw them now. But with Essex and this unpredictable pen and ink style, I needed a bigger canvas to really let loose and I drew all of Tales and Ghost Stories on huge paper about twenty by thirty inches."
"I am often asked how autobiographical Essex County is. And really it is mostly fiction. Lester is definitely a surrogate for me, a kid lost in his comics and his imagination, longing for something else. But his circumstances in the story are total fiction. I wasn’t an orphan, I wasn’t an only child and I had two loving parents and never befriended a hulking ex-hockey star. But what was real was the drawings of locations from around Essex County and the farm I grew up on. And I would steal little personality traits from people I knew growing up and combine them into different characters. Like all fiction you work the truth in there, but not always in a one for one sort of way. It all gets mixed up and Filtered through the story in different ways."
"And with the First book, Tales From The Farm, I also embraced the weird “back of the pen” style I had been experimenting with at Sheridan. This basically means I was using the backs of steel-point dip pens to draw rather than the intended pen tip. This led to really odd lines that weren’t always predictable and added a really strange, angular quality to the drawings that I just loved. I also started drawing this book really big. The norm is to draw comic pages about 1 ½ times the size of printed comic. And that’s pretty much how I draw them now. But with Essex and this unpredictable pen and ink style, I needed a bigger canvas to really let loose and I drew all of Tales and Ghost Stories on huge paper about twenty by thirty inches."
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About Jeff Lemire
Jeff Lemire is a comic artist from Toronto, Canada. After self-publishing the Xeric Award-winning comic book 'Lost Dogs' in 2005 through his Ashtray Press imprint, Lemire joined Top Shelf Productions. Born and raised on a farm in Essex County, Canada, Lemire is the author of the Eisner and Harvey Award nominated graphic novel 'Essex County' trilogy ('Tales from the Farm', 'Ghost Stories', 'The County Nurse').
He has also published the graphic novel 'The Nobody' and has a monthly series called 'Sweet Tooth' for DC Comics/Vertigo. Lemire is also a writer for DC's 'Superboy' and 'Atom'. His science fiction strip 'Fortress' appears in the quarterly UR Magazine.
Text (c) Lambiek