Dans la collection de giacod
Description
First page from EL ETERNAUTA II, by Hector German Oesterheld and Francisco Solano Lopez.
The page features an italian lettering, due to the series having been finally published in Italy within LANCIOSTORY magazine during years 1978-1979.
Here, Juan Salvo, his wife, his daughter and Oesterheld himself (again as a character, this time in the role of narrator) appear in a distant, post-apocalyptic future, where they help the few survivors to confront the ‘Ello’ of an inaccessible fortress. Oesterheld wrote the story from clandestinity, until he was kidnapped by the National Reorganisation Process and became "desaparecido".
The story was completed normally, but the cartoonist has expressed doubts as to whether the last scripts were Oesterheld's own work or that of someone who took his place.
The page features an italian lettering, due to the series having been finally published in Italy within LANCIOSTORY magazine during years 1978-1979.
Here, Juan Salvo, his wife, his daughter and Oesterheld himself (again as a character, this time in the role of narrator) appear in a distant, post-apocalyptic future, where they help the few survivors to confront the ‘Ello’ of an inaccessible fortress. Oesterheld wrote the story from clandestinity, until he was kidnapped by the National Reorganisation Process and became "desaparecido".
The story was completed normally, but the cartoonist has expressed doubts as to whether the last scripts were Oesterheld's own work or that of someone who took his place.
3 commentaires
Pour laisser un commentaire sur cette œuvre, veuillez vous connecter
A propos de Francisco Solano Lopez
Francisco Solano López, né à Buenos Aires le 26 octobre 1928, et mort dans cette ville le 12 août 2011, est un dessinateur argentin de bande dessinée.Auteur de bandes dessinées à partir de 1953 aux Éditions Abril, il rencontre le scénariste Héctor Oesterheld avec lequel naît une association de grande importance pour la bande dessinée argentine.
Après avoir travaillé ensemble sur des série comme Uma-Uma et Bull Rockett, ils émigrent aux Éditions Frontera, pour laquelle Solano López dessinera Rolo le marchand adoptivo, Amapola nègre, Joe Zonda, Rayon de lune et, surtout, L'Éternaute.
Dans les années soixante, López part pour l'Europe où il travaille pour la maison d'édition anglaise Fleetway. Il rentre en Argentine en 1976, où il reprend L’Éternaute, toujours en collaboration avec Oesterheld ; dans le même temps, il dessine Slot Barr sur les textes de Riccardo Barreiro.
