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Arturo Del Castillo, Ray Collins, El Cobra - Épisode 11: El Duelo - Comic Strip
159 

El Cobra - Épisode 11: El Duelo

Comic Strip
circa 1980
Ink
30 x 42 cm (11.81 x 16.54 in.)
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Description

À première vue, j'ai cru que l'artiste avait utilisé une sorte de trame pour le fond de la première case et pour la veste du vieil homme... Mais je me suis trompé : toute la page est réalisée en crayon et encre seulement. Impressionnant, n'est-ce pas ?
Les bulles et les légendes en langue italienne ont été collés sur la page pour sa publication dans les magazines "Lanciostory" et "Skorpio", entre les années 70 et 80.

Avec celles d'Alberto Breccia, José Luis et Alberto Salinas, les œuvres de Del Castillo furent une référence et une source d'inspiration pour le maître italien Paolo Eleuteri Serpieri.

Inscriptions

Signée en bas a droite dans la dernière case

Thematics


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About Arturo Del Castillo

Arturo Pérez Del Castillo was born in Concepcion, Chile. He started working for an advertising agency, but eventually joined his brother Jorge Perez del Castillo in Buenos Aires, Argentina, in 1948. He got a job as a letterer and illustrator with Editorial Columba and its magazine Aventuras, and remained affiliated with the publisher until the mid 1950s. He did his first work for for the comic weekly Aventuras, and a year later, he also created comic strips for the magazines Intervalo and El Tony. He quickly became famous for his skillful and detailed penwork, mainly for western comics. Del Castillo's most famous work is the Hector Oesterheld scripted 'Randall: the Killer' series, that commenced publication in Hora Cero in 1957. Del Castillo refined his graphic style even further and other important works followed. He joined the Italian agency of Rinaldo Dami and from the late 1950s throughout the 1960s. He mainly worked for the British publisher Fleetway, starting with a number of comic strip adaptations of Alexandre Dumas novels, including 'The Three Musketeers' and 'The Man in the Iron Mask'. Text (c) Lambiek