In apadno 's collection
Emanuele Taglietti,
1349 

"Diamants et Sang" - Détectives - Couverture Elvifrance

Original Cover
1980
Acrylic
Peinture sur carton
26 x 36 cm (10.24 x 14.17 in.)
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V. italienne Mafia 11
V française Détectives 11
Version BE&NL
Version brésilienne
Original verso

Description

Couverture de "Diamanti e Sangue", collection Mafia n°11. Edité en Italie par Edifumetto en avril 1980.
Couverture de "Diamants et Sang", collection Détectives n°11. Edité en France par Elvifrance en 1981.
Couverture de "Diamanten en Bloed", collection Maffia n°11. Edité conjointement aux Pays-Bas et en Belgique par De Vrijbuiter et De Schorpioen dans les années 80.
Couverture reprise partiellement pour le Mafia Dose Dupla n°4. Edité au Brésil par Idéia Editorial au début des années 1980.

Inscriptions

Inscriptions de publication au verso.

Comment

De l'aventure, du sexe et de l'ultra violence sous les hospices d'un mafieux moustachu, John Lupano, bien de son époque 80ies.
Une sympathique couverture de cette série débutée en France sous le titre "Détectives" et qui s'alignera au bout du 19ème numéro sur le nom de la série italienne, "Mafia", avant de devenir "Mafioso".
50 nuances de truands...

Les couvertures de la série Italienne narrant les aventures de John Lupano sont toutes de Taglietti bien que parfois attribuées à Biffignandi.

Thematics


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About Emanuele Taglietti

Emanuele Taglietti was born in 1943 in Ferrara, of the region of Emilia-Romagna, Italy. His father, Otello, was a painter and a decorator. In the 1960s, Otello Taglietti worked as a set designer on movies made by his cousin, acclaimed director Michelangelo Antonioni, often taking Emanuele with him on the set. After attending a local art school, Emanuele Taglietti studied design at the Experimental Centre of Cinematography, in Rome. He worked as a decorator and an assistant director for around thirty movies, including Federico Fellini's Juliet of the Spirits, Dino Risi's Dirty Weekend, and others. By the early 1970s, the popularity in Italy of the digest-sized fumetti comics, whose themes were mostly sex, violence, and horror, was at its peak.[2] Taglietti moved on to work as an illustrator for Edifumetto, the biggest publisher of fumetti in Italy. At the time, Taglietti would often paint more than ten covers every month for Renzo Barbieri's publishing house. By the end of the 1980s, the comics' popularity started to weaken, and Taglietti left Edifumetto to work as an oil painter, as well as an evening-class teacher in decoration and the conservation of murals. In 2000, he retired from teaching, continuing to work as murals and watercolor painter.