In FanDePlanches 's collection
Deadman (2002) - T5 p17
Ink
28 x 42 cm (11.02 x 16.54 in.)
Added on 11/8/25
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Quel superbe encrage de la part de Rubinstein, qui sublime le travail précis de JLGL.
Un tres bel exemple de la maitrise du dessin et d'un duo hors-pair.
On appréciera le dernier plan dans lequel Deadman ne se laisse pas restreint par les barrières mortelles... et donc encore moins par le contour des cases d'une planche.
Je suis à la recherche de planches de Deadman 1986, n'hésitez pas a me contacter.
Un tres bel exemple de la maitrise du dessin et d'un duo hors-pair.
On appréciera le dernier plan dans lequel Deadman ne se laisse pas restreint par les barrières mortelles... et donc encore moins par le contour des cases d'une planche.
Je suis à la recherche de planches de Deadman 1986, n'hésitez pas a me contacter.
Publication
- The murderous kind
- Dc Comics
- 06/2002
- Page 17
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About José Luis García-López
sé Luis Garcia-Lopez was born in Spain, but moved to live in Argentina in 1952. In Argentina, he worked on various features, including 'Sergente Kirk' and 'Roland'. In the late 1960s, he began working on the romance titles of Charlton Comics (Hollywood Romances, Love Diary, Teen Confessions, Time for Love). In 1974 he moved to New York, where he started working on such DC titles as 'Superman', 'Batman', 'Hawkman', 'Tarzan' and 'Jonah Hex'. His powerful and personal style made him one of the best 'Superman' artists. He worked on the 'Superman' comic from 1975 to 1982, doing interiors as well as front covers. Garcia-Lopez has continued working for DC to this day, and his additional credits include 'Atari Force', 'Cinder and Ashe', 'Road to Perdition', 'Deadman', 'New Teen Titans' and a great amount of promotional artwork.
Text (c) Lambiek
