In Lougal 's collection
Description
VP
Cellulo original peint à la main et son arrière-plan original peint également à la main avec une superficie d'image de 26 x 35,5 cm. Toyoo Shida s'est chargé de l'encrage. Présence d'agrafes.
Cellulo original peint à la main et son arrière-plan original peint également à la main avec une superficie d'image de 26 x 35,5 cm. Toyoo Shida s'est chargé de l'encrage. Présence d'agrafes.
Comment
Réalisateur d'animation et character designer japonais des plus célèbres pour avoir travaillé sur des séries emblématiques comme Ashita no Joe, Devilman, Cutey Honey, Ulysse 31, UFO Robo Grendizer, Lupin III, Lady Oscar, Cat's Eyes, Saint Seiya ou Harlock, Shingo Araki nous offre ici un travail unique provenant des archives du bureau de la Toei, sur l'univers du football américain. Ce sport a toujours été l'un des thèmes les plus prisés par public japonais.
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About Shingo Araki
He usually collaborated with animation director Michi Himeno, whom he met in 1973. They formed Araki Production in 1975. He worked as animation director in 1978's "Goodbye Battleship Yamato: Warriors of Love". He, with Himeno, have been celebrated for their success. The Araki-Himeno duo collaborated on TV series and animated films such as "Saint Seiya" (1986–89), "Saint Seiya Overture" from 2004.
Some of his successes are Majokko Megu-chan (1974), Lupin III (1977), Mugen Kido SSX (Captain Harlock, 1978), Versailles no Bara (Lady Oscar, 1979), Hana no Ko Lunlun (Angel, 1979, which featured character designs by Michi Himeno and animation by Araki), Uchû Densetsu Ulysses 31 (Ulises 31, produced 1980, released 1981), and the versions for OVA of Fuma no Kojirô (1991). International accreditation came with Saint Seiya (Knights of the Zodiac, 1986), for his dynamic drawing style along with the elegant drawings styles of Michi. This Dynamic Duel, as they are known, have been instrumental in the success of the series.
Working for Toei Animation and Tokyo Movie Shinshia, Araki was also an animator on several American productions which outsourced animation work to Japan, including Inspector Gadget (Season 1, 1983–84, animation), Mighty Orbots (1984, key animation), The Adventures of the American Rabbit (1986) and G.I. Joe: The Movie (1987).