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1945 - McManus - Bringing up father - Sunday complet du 03 juin 1945 - Comic Strip
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1945 - McManus - Bringing up father - Sunday complet du 03 juin 1945

Comic Strip
1945
Ink
Added on 6/3/25
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Description

Sunday complet du 03 Juin 1945. Mise en ligne le 03 Juin 2025, soit 80 ans jour pour jour (quand même) après sa publication initiale…

Inscriptions

Signé Geo Mc Manus

Comment

Hergé lui même n'a jamais caché qu'il avait été marqué par McManus. "Ah!, les nez de Geo McManus ! Je trouvais ces petits nez ronds ou ovales tellement gais que je les utilisais, sans aucun scrupule !", a-t-il avoué à Numa Sadoul. C'est particulièrement visible dans Tintin au pays des Soviets.

Joost Swarte considère même McManus comme le véritable fondateur de la Ligne Claire.

Thematics


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About George McManus

George McManus was born of Irish parents in Saint Louis, Missouri in 1884. He dropped out of school at age fifteen and started working at the Saint Louis Republic. This newspaper published his first comic, 'Alma and Oliver'. In 1904, after winning some money, he moved to New York and was employed by the New York World. For this journal, he worked on several running stories, such as 'Snoozer', 'The Merry Marcelene', 'Panhandle Pete', 'Ready Money Ladies', 'Let George Do It', 'Cheerful Charlie' and 'Nibsby the Newsboy in Funny Fairyland'. In 1904, McManus created 'The Newlyweds', about an elegant young couple and their baby, Snookums. This series, the first family strip in an American newspaper, became quite popular and caused rival newspaper The New York American to invite McManus to work for them, which he did from 1912 on. He continued 'The Newlyweds', now renamed 'Their Only Child', and started up several other daily comics, like 'Rosie's Beau', 'Love Affairs of a Mutton Head', 'Spareribs and Gravy' and the famous 'Bringing Up Father'. George McManus has influenced a great number of artists, including Hergé and Joost Swarte. With his subtle but relentless humor, he described American society, ridiculing its insatiable desire for luxury and its egotism. Text (c) Lambiek