In FanDePlanches  's collection
Ernie Colon, Tony DeZuniga, Savage Sword of Conan - #46 p11 - Comic Strip
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Savage Sword of Conan - #46 p11

Comic Strip
1979
Ink
28 x 43 cm (11.02 x 16.93 in.)
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Description

Ink and Zipatone over graphite on Bristol board with an image area of 10.5" x 15". The page is toned with blue pencil editorial markings, some Yellowed Zipatone, and editorial notes in the margins.

Comment

Ernie Colon and Tony DeZuniga The Savage Sword of Conan #46 Page 11 Original Art (Marvel, 1979). Conan finds fanged danger in this striking page from "Moon of Blood."

Publication

  • 1979 (II)
  • Panini Comics
  • 04/2011
  • Interior page

See also:   Conan

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About Ernie Colon

Born in Puerto Rico and raised in the USA, Ernie Colon began his professional career in the late 1960s. Colon worked for publishing house Harvey for twenty years, initially as a lettere, but later as an artist on series like 'Casper the Friendly Ghost', 'Monster in My Pocket' and 'Richie Rich'. His work was also featured in the Warren horror magazines Creepy, Vampirella and Eerie. He has worked extensively with Sid Jacobsen, starting with the 'Black Comic Book' in 1970. After the folding of Harvey, Colon became a freelancer for other companies. He has worked on titles like 'Grim Ghost' for Atlas/Seaboard, 'Arak, Son of Thunder' and 'Amethyst, Princess of Gemworld' for DC Comics, 'Airboy' for Eclipse Comics, 'Magnus: Robot Fighter' for Valiant Comics, and 'Damage Control' and 'Doom 2099' for Marvel Comics.In recent years he was involved in online and digital comics, like 'Doodle' movies for the Komikwerks company. Colón is the author of the science fiction graphic novel 'Ax' and since 2005, he does the weekly comic 'SpyCat' in the Weekly World News'. With Sid Jacobsen, he has done two books on the 9/11 terrorist attacks, called 'The 9/11 Report: A Graphic Adaptation' (2006) and 'After 9/11: America's War on Terror' (2008). They then made the comic biographies of 'A Graphic Biography: Che' (2009) and 'A Graphic Biography: Anne Frank' (2010). Text (c) Lambiek