Sagitario Zodiac by Enric Torres-Prat - Original Illustration
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Sagitario Zodiac

Original Illustration
1981
Oil
Oil on canvas
45.72 x 63.5 cm (18 x 25 in.)
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My frame- Colors are brighter than my photo
Limited edition portfolio

Description

Sagittarius Zodiac Portfolio Plate *** Enric Torres- Prat (Enrich) NSFW
Please see framed pic.
Interior adult magazine page (not sure which Playboy Italian maybe? as it has a PB code on back common for PLAYBOY and limited edition Zodiac portfolio print plate. Beautiful fantasy nude centauride.
C. 1981. Signed ENRICH lower left. Image in site now framed still is approx. 18" x 25"
Looking for Enric art! And more Zodiac works.
Colors are brighter yellow than my photo. Gorgeous Burgundy in her hair.
If you know which magazine please let me know.

Inscriptions

Signed Enrich lower left

Thematics


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About Enric Torres-Prat

Enric Torres-Prat is a comic book artist, who is best-known for his covers for horror and science fiction comics, and especially Vampirella, during the 1970s and 1980s. He began his career at the offices of Josep Toutain's Selecciones Ilustradas agency, and showed a talent for painting and photography. He was soon hired as a cover artist for such publications as Acción Extra and the early superhero comic books of Ediciones Vértice. Using the signature Enrich, he also appeared in science fiction magazines like Nueva Dimensión and the horror comic Buru Lan Drácula. He is most likely the same Enrich whose art appeared in the interior pages of a couple of issues of Hazañas Bélicas Extra and the Hazañas Belicas blue series. He eventually focused on the US market, when he became a regular cover artist for James Warren's horror magazines Creepy, Eerie and especially Vampirella, for which he painted 52 covers. In Spain, his work kept appearing in titles like Delta, Hunter, Bumerang, 1984 and other publications by Selecciones Ilustradas. He has made covers for paperback science fiction, horror, western and romance novels for Eureopan publishers before forusing more and more on fine arts. Text (c) Lambiek