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Alors qu'Harmony et ses amis prennent ce repos particulier que seul autorise le prélude aux grandes batailles, la terrible divinité Azhel se constitue une armée en éveillant à leurs dangereux pouvoirs de nombreux adolescents… Conscients que l'apocalypse approche, Harmony, Payne et Karl partent pour la Jordanie, à la recherche du tombeau de Nememtoth, frère et ennemi d'Azhel. Mais les stupéfiants pouvoirs d'Harmony seront-ils suffisants pour surmonter les dangers de la Cité sous le sable et vaincre Azhel ?
La Jordanie sera le théâtre de l'ultime affrontement. Qui, du dieu Azhel ou de la jeune Harmony, l'emportera ?
La Jordanie sera le théâtre de l'ultime affrontement. Qui, du dieu Azhel ou de la jeune Harmony, l'emportera ?
Publication
- In fine
- Dupuis
- 10/2021
- Interior page
-
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About Mathieu Reynes
Mathieu Reynès was born near Paris, but he spent most of his childhood near the Basque coast. He initially pursued a scientific education, but eventually turned to 3D animation at the CNBDI in Angoulême. He has been working fulltime as a comic artist since the early 2000s, mostly in cooperation with scriptwriter Frédéric Brrémaud. After creating their first albums for Paquet ('Banana Fight', 2002) and Soleil ('Sexy Gun', two books in 2003-2004) they began an association with Éditions Bamboo.
They created the series 'Lola Bogota' in 2005 and 2006 and co-wrote the scripts for a variety of humor books, such as 'Les Tennismen' (art by Bertolucci), 'Les Informaticiens' (art by Toulon), 'Toutou & Cie' (art by Emmanuele Soffritti) and 'Les Maîtres Nageurs' (art by Reynès himself). Reynès additionally created the series 'Alter Ego' with Denis Lapière and Pierre-Paul Renders for Dupuis in 2011 and wrote the script for 'La Mémoire de l'eau' for Valérie Vernay in 2012.
Text (c) Lambiek
