Dans la collection de PALENZA
illustration originale
Planche originale
2015
Encre de Chine
Feutre
31.8 x 45.4 cm (12.52 x 17.87 in.)
Dessin : 27,5 x 37,5
Ajoutée le 12/02/2024
Lien copié dans le presse-papier !
Description
sur papier 250g
Inscriptions / Signatures
2 signatures : S.Arsenic & GOTZE 2015
Commentaire
Main influence on our style was classic illustration and sequential art.
We use traditional tools - pen, brush, ink, watercolors and gouache. Also we work in digital media like Photoshop for coloring and painting.
Favorite subjects are those which include a lot of imagination, such as a mythological ones, from the European fairy tales, epic fantasy and science fiction to the world of wild west.
But that are not all subjects that we work on, as You can see in many examples of the art on this site. There is large diversity of themes that we have challenged our skills on.
Our style stretch from almost realistic, through grotesque, to cartoony one, with special accent on anthropomorphic animals, children's book illustration and character design in general.
Beside illustration and comic art, Sanja as a professional photography artist, works in media of traditional/analog and digital photography.
We use traditional tools - pen, brush, ink, watercolors and gouache. Also we work in digital media like Photoshop for coloring and painting.
Favorite subjects are those which include a lot of imagination, such as a mythological ones, from the European fairy tales, epic fantasy and science fiction to the world of wild west.
But that are not all subjects that we work on, as You can see in many examples of the art on this site. There is large diversity of themes that we have challenged our skills on.
Our style stretch from almost realistic, through grotesque, to cartoony one, with special accent on anthropomorphic animals, children's book illustration and character design in general.
Beside illustration and comic art, Sanja as a professional photography artist, works in media of traditional/analog and digital photography.
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