In Matthias  's collection                        
                    2004 - Isaac le Pirate : La Capitale
                            Comic Strip
                                                    
                                    
                                    
                                                2004
                    
                
            
                                    Ink
                
                
            
            
            32 x 43 cm (12.6 x 16.93 in.)
                                                    
                            Added on 6/9/14
                        
                    
            
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Description
                                Page 44, not published, was drawn for  "La Capitale", the issue 4 of "Issac the pirate"                            
                        Inscriptions
                                bottom right                            
                        Comment
                                Regarding his return to the waffle-iron-like layout, Christophe Blain admitted to Hughes Dayez in 2001 about comic strip full of framing effects that "these comic strips are bullshit! It's the artists who are trying cinematic tricks, whereas there is no point in making large, elongated panels with just a close-up look in them; these are rather fake effects! 
I was immediately seduced by the waffle-iron-like layout, because its simplicity allows you to better concentrate on the pictorial research, and to have a "children's book" aspect that I really like" (Niffle, The new comic strip)
This page 44, which uses the even waffle-iron-like layout of the panels was ultimately not included in the final version of the album. Christophe Blain re-edited the action and redrew this scene on the lower half of page 44 and the upper half of page 45, removing and adding a few panels.
His characteristic drawing here demonstrates a great mastery of movement. His characters move, run, and jump from one panel to the next with a rare fluidity. To achieve this effect, he uses the spontaneity of his line. For him, an overly elaborate drawing loses both its intensity and its original message.
                        I was immediately seduced by the waffle-iron-like layout, because its simplicity allows you to better concentrate on the pictorial research, and to have a "children's book" aspect that I really like" (Niffle, The new comic strip)
This page 44, which uses the even waffle-iron-like layout of the panels was ultimately not included in the final version of the album. Christophe Blain re-edited the action and redrew this scene on the lower half of page 44 and the upper half of page 45, removing and adding a few panels.
His characteristic drawing here demonstrates a great mastery of movement. His characters move, run, and jump from one panel to the next with a rare fluidity. To achieve this effect, he uses the spontaneity of his line. For him, an overly elaborate drawing loses both its intensity and its original message.
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                About Christophe Blain
Christophe Blain is a French comic book author. In 2002, he received the Angoulême International Comics Festival Prize for Best Album for Isaac the Pirate and again in 2013, together with Abel Lanzac, for the second volume of Quai d'Orsay.
                                 
                     
                             
                                             
                                             
                                            